films
locations
visitors
Developed in Europe where distributors and producers have
already seen a boost in revenue. This is evidenced through their
own private Artinii dashboard which gives them simple, monitoring
and control over their entire catalogue.
You own the rights, so you are in control of issuing licenses, setting pricing for either public screenings or VOD. Artinii has simple one-click tools to add subtitles, set your pricing, geoblocking or location and blockchain tracking to ensure you know where each screening occurred, by whom. For those using a White Label version we have a payment gateway otherwise, you can implement your own and in either case you get paid automatically!
You can send Full HD and 4K quality, in minutes anywhere in the world knowing your films are protected. Since launching in the past 2 years we have zero leakage from piracy. During the upload phase we add the latest tech in invisible watermarks on the video and even an inaudible "watermark" on the audio track. Once again, for the film's safety, during the sending phase, each screening has its own blockchain supported identity.
For the theaters or events you issue individual screening licenses, our Artinii Cinema Player is absolutely free. It is an app that downloads in seconds and requires no additional hardware. The Artinii Cinema Player is the only way to download, decrypt and play your film and only according to the licenses you sell them at the price you decide. The screeners only need their own laptop plugged into any projector. Once it is downloaded to the player the film can be projected without any internet connection.
Artinii Cinema Player
Festivals
Ctirad Hemelík
CEO & Co-founder
“For me personally, it has always been important to connect people and create an environment full of meaningful experiences coupled with positive emotions. I am a big fan of technology and believe that technology can help our existence and the evolution of our behavior. I am proud that we have developed unique technologies that support the basic principles of Artinii company, i.e. Art in intelligent interaction.“
172 film licenses were delivered to various venues.
The films were delivered to restaurants, campsites, and beach clubs during the 2021 summer season across Czechia and Slovakia. The chain of summer cinemas called Kofokino; organized by the major Czech soft drink company Kofola, reached over 10 000 people in total.
An increase in revenue by 5%, which was equal to 206 000 USD.
Artinii technology enabled digital delivery of the film “Prvok, Šampon, Tečka a Karel” to non-DCI compliant cinemas alongside its theatrical release. It increased revenue by 5 %.
A World premiere and a total of 18 in cinema screenings of the CITY OF ALI film in Louisville.
Abramorama was able to add additional screenings within a few clicks when needed thanks to the technology that Artinii offers. The World premiere of CITY OF ALI took place on June 3rd, 2021, and a total of 18 in cinema screenings of this film were held during this commemorative event in the Muhammad Ali Centre in Louisville.
A total of 9496 playbacks across all multiplexes were recorded between July 2021 and October 2022.
Film One delivered its Nollywood films to 5 multiplexes via Artinii.Pro technology. Various local films were distributed, including A Simple Lie, Bad Comments, Christmas in Miami, ILE OWO, Passport. All delivered at low cost but with the highest security measures.
For the second time running, Czech That Film & Artinii.Pro partner up.
The hybrid festival took place from May 13th until May 22nd, 2022 in the online space with offline screenings in Austin, Dallas, San Marcos, Denver and New York. All the films were safely delivered to these locations via the Artinii Content Delivery tool.
Artinii.Pro brought Zátopek to 28 countries in 657 screenings.
The hybrid festival took place from May 13th until May 22nd, 2022 in the online space with offline screenings in Austin, Dallas, San Marcos, Denver and New York. All the films were safely delivered to these locations via the Artinii Content Delivery tool.
Across over 70 films as a producer, and over 60 as an executive at Amazon Studios where he was Co-Head of Movies, Ted’s films have received 44 Oscar nominations & 11 wins. Ted’s memoir Hope For Film was published in August 2020. He is a Professor of Practice at ASU’s Thunderbird School.
Brian Newman, founder of Sub-Genre, consults on content strategy, distribution and marketing for some of the top brands in the world. Current and former clients include: The Climate Pledge (Amazon), IBM, New York Times, Oatly, Patagonia, REI, Stripe, Sundance, Unilever, and Yeti Coolers. Brian has served as CEO of the Tribeca Film Institute, and writes a popular weekly newsletter on film.
Karol is a media industry innovator with broad motion picture, digital, TV and publishing backgrounds. Currently Partner & COO of Abramorama and Founder/CBO of Thought Engine, his career spans three decades including pioneering leadership in the American independent film sector. Karol has produced multiple television music programs and Webby Award-winning projects and he co-founded Filmmaker Magazine and IndieWire.
A high performing and effective sales and distribution executive with extensive international corporate experience. Successfully working with people across a wide mix of cultures, naturally curious and analytical, using data to identify problems and generate creative solutions. Leading with confidence, carry responsibilities, and enjoy meeting challenges.
Yusuf Shaikh is a leading distributor of more than 100 films in a career span of last 3 decades. As the head of Percept and adviser to many other film studios like Drishyam ( Newton), NIla Nadhab Panda( Kadvi Hawa and Halka), Shubhashish Bhutiani ( Hotel Salvation aka Mukti Bhawan) Ram Gopal Verma, etc, he has been a leading distributor and producer in India. He is also a committee member of the biggest producer body of Indian film producers, IMPPA ( Indian Motion Pictures Producers Association).
Jérôme Paillard after successively working as a classical musician, artistic director and CFO for a classical record label, produced some fifteen films alongside Daniel Toscan du Plantier at Erato Films. He then joined the Festival de Cannes, where for 27 years he directed the Marché du Film, the world's most important trade show for the film industry.